Shot List

Opening shot is shot from a plane. This sets the scene using an establishing shot. Below is green land and mountains, a countryside setting.
Second shot is of the protagonists lips. Imogen the main character in our film is singing along to the lyrics.
Third shot is of Imogen walking through puddles. Her face will not be shown directly at the beginning to add some suspense.
Fourth shot is back to lip sync, we want to keep this as a repetitive feature.
Fifth shot is of the back of Imogen looking out to the countryside. Still no showing of her face to keep the suspense flowing.
Sixth shot is of Imogen sitting on a wall. We will either shoot this from the back of her or if shot from the front will use effects so that you can not make out her facial features.


Seventh shot is back to the lip sync keeping it repetitive.
Eighth shot will be stop motion of an small object which will create a love heart. This is to represent the genre of love.
Ninth shot will be of words being written on screen. This will be filmed on a word document capturing the words being slowly typed on screen, then edited to speed up the typing to fit with the lyrics.
Tenth shot, back to lip sync again.
Eleventh shot, close up of the dogs face to give recognition to the viewer to introduce the new character.
Twelfth shot will be of Imogen and the dog meeting. Showing the bond between humans and animals.


Thirteenth shot will be once again back to lip sync.
Fourteen shot will be of Imogen and the dog walking off together into a field or through a field.
Fifteenth shot will be back to lip sync again.
Sixteenth shot will be of the boy that Imogen is in love with and the song is all about. However he wont stay on screen for long as he is a mystery on until the end of the song.
Seventeenth shot will be of Imogen face after the boy being on screen, she will not be as happy as she is drawn in the picture above.
Eighteenth shot will be the final shot of Imogen walking away with her back to the camera, walking into the field almost out of eye shot.